batch color and area
PostPosted: Thu May 05, 2005 11:11 pm
Greetings -- I'm using SilverFast Ai 6 to archive my family scans. I'm using Nikon CoolScan 4000 with an SF-200 slide feeder. I'd like to enable maximum flexibility and uniformity for batch scans, for subsequent processing with SilverFast HDR and then Photoshop 7 or CS.
Perusing Ian Lyons' tutorials from computer-darkroom.com, notably the HDR and Batch ones, I see that there're two general ways to perform the archival color management: set Scanner->Internal to None, and not embed any ICC profiles, or set Scanner->Internal to Calibration (or ICM and then choose the Scanner's ICM profile) and embed a Photoshop profile, e.g. Adobe RGB (1998).
Hence my questions --
-- Is there a difference between
(a) choosing Calibration in Scanner->Internal, so that the SF_T (Nikon LS4000) is greyed out in the ICM subsection below, and
(b) choosing ICM for Scanner->Internal, and then explicitly specifying the same SF_T (Nikon LS4000), now white/selectable, in the ICM subsection?
-- What happens if I do choose Calibration, but don't use a Photoshop Internal profile, and/or do not embed it? Ian Lyons warns not to mix the settings from the two methods, but it looks like you can simply apply the Internal change in HDR afterwards, or select the profile in Photoshop, after all? Generally speaking, how does using Scanner->Internal set to Calibration relate to choosing Internal set to Adobe RGB (1998), and embedding the latter -- or not?
My underlying desire is to make an archival record of the scanner's IT8 calibration at the time of scanning -- I recalibrate it before major batch scans -- but leave myself free for batch-processing it later. Since the processing will be done, finally, in Photoshop, I don't mind embedding things so long as they simplify workflow, and record anything I need to remember about the scan in the results, but do not lead to information loss in any way. So, why _either both_ Calibration/Embedding or None/None, in both, as Lyons says?
Another question concerns cropping the scan area for batch slide scans. Different frames differ in the slide area they expose. I'd like to err on the side of the larger scan area size -- but I'd also like to avoid tedious manual cropping too much black areas off. How do I set the crop rectangle to safely and reliably capture the whole batch with minimal extra black? Is it possible for SF to do this automatically for each slide? On the other hand, if I end up with a lot of extra black, can HDR or Photoshop be set to remove it in an easy way, for large batches?
When tuning the position/size of the scan area rectangle, I found out its annoying sticky behavior -- e.g., I was capturing an unusually positioned slide, leaving the rectangle in an odd place, -- then starting SF next time would find the rectangle there. If you forget to prescan, you can misalign the whole new batch! Is there a way for the rectangle to return to a "normal" setting? Moreover, if I were adjusting it and lost track, I'd love to be able to reset it to the "normal" centered 24x36 mm in 50x50 mm area expected of a slide -- again, is there a simple way to do it?
Danke,
Alexy
Perusing Ian Lyons' tutorials from computer-darkroom.com, notably the HDR and Batch ones, I see that there're two general ways to perform the archival color management: set Scanner->Internal to None, and not embed any ICC profiles, or set Scanner->Internal to Calibration (or ICM and then choose the Scanner's ICM profile) and embed a Photoshop profile, e.g. Adobe RGB (1998).
Hence my questions --
-- Is there a difference between
(a) choosing Calibration in Scanner->Internal, so that the SF_T (Nikon LS4000) is greyed out in the ICM subsection below, and
(b) choosing ICM for Scanner->Internal, and then explicitly specifying the same SF_T (Nikon LS4000), now white/selectable, in the ICM subsection?
-- What happens if I do choose Calibration, but don't use a Photoshop Internal profile, and/or do not embed it? Ian Lyons warns not to mix the settings from the two methods, but it looks like you can simply apply the Internal change in HDR afterwards, or select the profile in Photoshop, after all? Generally speaking, how does using Scanner->Internal set to Calibration relate to choosing Internal set to Adobe RGB (1998), and embedding the latter -- or not?
My underlying desire is to make an archival record of the scanner's IT8 calibration at the time of scanning -- I recalibrate it before major batch scans -- but leave myself free for batch-processing it later. Since the processing will be done, finally, in Photoshop, I don't mind embedding things so long as they simplify workflow, and record anything I need to remember about the scan in the results, but do not lead to information loss in any way. So, why _either both_ Calibration/Embedding or None/None, in both, as Lyons says?
Another question concerns cropping the scan area for batch slide scans. Different frames differ in the slide area they expose. I'd like to err on the side of the larger scan area size -- but I'd also like to avoid tedious manual cropping too much black areas off. How do I set the crop rectangle to safely and reliably capture the whole batch with minimal extra black? Is it possible for SF to do this automatically for each slide? On the other hand, if I end up with a lot of extra black, can HDR or Photoshop be set to remove it in an easy way, for large batches?
When tuning the position/size of the scan area rectangle, I found out its annoying sticky behavior -- e.g., I was capturing an unusually positioned slide, leaving the rectangle in an odd place, -- then starting SF next time would find the rectangle there. If you forget to prescan, you can misalign the whole new batch! Is there a way for the rectangle to return to a "normal" setting? Moreover, if I were adjusting it and lost track, I'd love to be able to reset it to the "normal" centered 24x36 mm in 50x50 mm area expected of a slide -- again, is there a simple way to do it?
Danke,
Alexy