PostPosted: Fri Apr 12, 2002 10:55 am
I am also trying to get my head around colour profiling. Since most scanning is done for print the colour profiling system seems geared towards this. However I am wanting to output back to film which has a much wider gamut than print, in fact the same as the source material. How does colour profiling fit into all this. I am a little confused.
I have images coming from digital camera 8bit jpeg and 12bit RAW, images from our nikon scanner 14/16bit TIF and also 12bit Cineon log images. The images are all displayed on the same brand of Sony monitor. What does colour profiling have to do with all this. Is it that if I use say ICC profiles it keeps all the images in the same colour space? Does the colour profile actually change the saved image or is it just for viewing??
Sorry for all the questions
I have images coming from digital camera 8bit jpeg and 12bit RAW, images from our nikon scanner 14/16bit TIF and also 12bit Cineon log images. The images are all displayed on the same brand of Sony monitor. What does colour profiling have to do with all this. Is it that if I use say ICC profiles it keeps all the images in the same colour space? Does the colour profile actually change the saved image or is it just for viewing??
Sorry for all the questions